FIRE IN THE HEAD - Solace Through Psychosis
Review from Absolute
Zero Media:
The 1st release I got from Fire In The Head was so fucking good I had
to take another journey down their harsh sounding trail once more. This
time a good friend (Ron of RRR) releases a CDR for this New England madman.
Ah, track 1 is more of what I really enjoyed about the last. Harsh tones
and rhythms skillfully put together in the same way Immaculate Grotesque
or Sickness would hone there art. There is really a nice build of sounds
and a lot of sonic collage work going on here. I really think most that
aren't into noise or harsher industrial think its one mic and tv static
which this proves to be very very wrong. How Fire In The Head mixes the
vocal loops in a way that they’re even more unnerving is a nice
touch as well. At times this is really caustic material but worth every
moment to listen to and explore. Over the 8 tracks on this release Fire
In The Head becomes darker, harsher and more violent, all good movements
in the noise realm. To close folks, RRRecords has added another winner
to its already epic release list.
FIRE IN THE HEAD - Solace Through Psychosis
Review from Radium
webzine:
The widely known and well respected label RRRecords recently widened
its selection of CDrs to include the most recent work of the promising
young noise musician Fire in the Head. This newborn screamer of an album
has been named Solace Through Psychosis, and its contents are eight tracks
of beefy, rough and reverbed noise.
Since its self-titled album, FITH has gone through a change of style.
Gone is the ear-jamming, all-suffocating wall of distortion, replaced
by a more open, richer and more carefully planned soundscape, that unlike
its predecessors lacks no dynamics. All these little details combine to
make Solace... a more pleasing experience than FITH's previous releases,
although mean overdrives are naturally still present - this is noise,
after all - just not in as prominent a position as before. These new compositions
also seem more subtle and structurally advanced.
Subtlety and delicate sounds are not, however, what greets the listener
on the first track of the CD. In fact, when the opening piece Succumb
begins to play, anyone's ears should start begging for mercy, at least
if the head they're attached to has any common sense left in it. This
is because the piece's main sounds are glitchy high-end sounds never before
found in FITH's work, and describable only as incredibly painful and ear-shredding.
Thankfully there is more to Solace... than this.
Apart from Succumb I have to say that it feels like the album pulled
a fast one on me, because after a few listens it didn't really feel like
the expected noise album at all anymore, but instead a collection of well
planned sound collages, the sound of the album being almost soft despite
all the distortion and feedback squeals it contains. Not that this means
it's a suitable new artpop sensation for the Metropolis-Dependent circlejerk
crowd; it's just that the album's style seems far removed from the usual
atonal assault of harsh noise releases. There are also a few vocals sprinkled
here and there on the disc, mainly mixed so that they stay in the background,
producing a feeling that Mr. Page is sitting inside the listener's speaker
whispering his dirtiest ideas into the voluntary victim's ear.
On Solace..., FITH has fixed every complaint I could've thought up from
his previous works, and the end result is a worthy addition to the RRRecords
catalogue. It's not a perfect ten disc, but a well planned and executed,
even and very likable release nonetheless.
FIRE IN THE HEAD - Solace Through Psychosis
Review from Industrial.org:
Fire In The Head have only been around for a bit over a year, but they've
definitely been productive fuckers, releasing a bunch of demos and albums
and touring japan, playing alongside acts like Guilty Connector and Massonna.
"Solace Through Psychosis" is the first I've heard of 'em, but
it definitely won't be the last, as this is some good shit.
The audio on this disc is pretty diverse, venturing from straight forward
PE/ Death Industrial to more drone/ dark ambient territories. All of the
tracks have a very dark and brooding vibe, lingering for long enough to
make the kill, but frequently changing pace as to not get monotonous.
Only two of the tracks feature vocals, and it's a real shame, because
the vocals are kinda the highlight for me. the instrumental stuff is definitely
good, but the material with vocals have a bit more power. Unlike his friend
Slogun, who has more of a screaming/ shouting style, Michael Page's vocals
are more of the talking into distortion variety, but they're definitely
the best I've heard of that style in a long time, because they never get
dumb and manage to retain an authentic angry vibe.
The mastering on this disc is really good, there isn't a single
transgression in that department. Honestly, the only real gripe I have
here is that i wish there were more vocals. That and the disc comes in
a yellow sleeve and I don't much like the color yellow. But the cool RRR
Collage insert makes up for it. Most definitely recommended.
FIRE IN THE HEAD - Solace Through Psychosis
And so we
welcome the return of that bad ass with attitude Michael Page with open
arms and hopes eternal. He is (if the CollectiveXXIII website is correct)
one mega productive extreme noise fucker. But in the nicest possible way.
"Solace Through Psychosis" is released as part of the CDR series
on the RRR record label…which is celebrating 20 years of releasing
uncompromising and difficult music onto the unsuspecting public. Happy
anniversary belligerent American dudes.
Fire In The Head fits perfectly in with the RRR release ethic. Music
suitable for the true outsider not afraid to explore uncharted waters
and able to withstand, nay desires, aural torture being inflicted without
mercy. "Solace Through Psychosis" follows this blueprint down
to the last detail. Over the eight tracks and 33+ minutes…time passes
so quickly when your head is scrambled…Michael pulls out all the
stops to hit hard with a noise barrage from the first seconds of the first
track and doesn’t let up one iota. Onward…forever onward…thrusting
the cacophony relentlessly into your face like John Holmes in a blue film.
Take it. Gag on it. Swallow it. Come back for more. Bitch slapped in the
face. Humiliated but ultimately satiated. Note to self: wake up…smell
the coffee… and stop watching so
much porn.
"Solace Through Psychosis" isn’t all pure undiluted noise
though. With the addition of samples / vocals cutting through occasionally
the music moves away from being a simply one dimensional ‘fuck you’
into near apocalyptic ambient mood territory. Not the sort of ambient
to please Brian Eno fans mind. Fuck them though. Not literally of course.
Unless they were nice looking.
With this latest release under his belt Michael is taking the genre of
noise into exciting realms to give all you masochistic extreme / power
electronics fiends the thrills you need to be punished with. Play it at
the loudest levels possible and feel your sanity disintegrate with each
passing swathe of sound.
FIRE IN THE HEAD - Solace Through Psychosis
review from Funprox:
My initial reaction to receiving this cd by American noise act was a happy
one; finally I was able to listen to some brutal noise again, without
having to pick a cd out randomly from the pile of releases in this genre.
The logo, artwork, and website look serious and the slogan says it all:
Nihilism, noise, narcissism. By the time I found some time to review this
release, I already stumbled on a review by JS (also on Funprox) on another
Fire in the Head cd, stating that we’re dealing with a good though
non-original noise act.
The cd starts with a noisy intro which doesn’t completely convince
me, it’s high-pitched and brutal although it misses some sort of
over-the-top edge which I enjoy when listening to some good noise. Track
2, “Mantra”, is better though. Harsh noise and vocal samples
with enough low frequencies make for a really convincing attack rumbling
through my speakers. The following tracks continue in this vein of high-pitched
shrieks, distorted vocals and low rumbling. There is no clear rhythmic
base but still there is enough structure in the mayhem to enjoy it. Track
6 is one of the best tracks with its (almost) rhythmic structure and repetitive
vocal samples. The last track, “Because I have to”, finishes
the cd off in style. Quite convincing!
All in all a recommended release for those who enjoy the more harsh noise
acts. |